The Jewish Americans

Originally broadcast on PBS, The Jewish-Americans covers 350 years in the lives of Jews who have struggled to maintain their religious identity and still be fully accepted as Americans. It is a story at once specific and universal, one that can be appreciated by any ethnic or religious minority who tests whether “democracy, like America, can find room for everyone.” Beginning with 23 Jewish exiles seeking safe haven in New Amsterdam in 1654, writer-director David Grubin does an admirable job of charting the often rocky and treacherous course for Jews in this country, and their personal “tug of war between being American and being a Jew.” Do they consider themselves Jewish-Americans, or American Jews? Carl Reiner, Mandy Patinkin, Sid Caesar, Jules Feiffer, playwright Tony Kushner, and Supreme Court Justice Ruth Bader Ginsburg are among the more recognizable personalities who offer illuminating commentary and bittersweet reminiscences. But Grubin presents what he calls “an ensemble of voices” rather than “a star-studded parade.” Authors, historians, sociologists, academics, and rabbis share a rich personal and cultural history.

Narrated by Liev Schreiber, The Jewish-Americans is comprised of three two-hour episodes, “They Came to Stay,” “The Best of Times, the Worst of Times,” and “Home.” Each is a richly textured tapestry of talking heads, still photos, archival footage, and audio and film clips (the inevitable Gentleman’s Agreement), and reveal how Jews have become woven into the fabric of Jewish life. Songwriter Irving Berlin wrote “God Bless America,” and the holiday classics “White Christmas” and “Easter Parade.” Jerry Siegel and Joe Schuster created Superman. Another crossover pop culture success was Gertrude Berg as Molly Goldberg of the Bronx, offering sage advice and homespun wisdom on radio, television and the movies. One illuminating segment reveals how assimilated movie mogul Louis B. Mayer’s Andy Hardy films, with their “fairy tale visions of small town life,” were the “American fantasies of a Jewish immigrant.” Anti-Semitism rears its ugly head throughout the series. Grubin captures the hysteria surrounding the murder trial of Georgia factory worker Leo Franks, who, in 1915, was falsely convicted in the murder of 13-year-old Mary Phagan, and subsequently lynched by a homicidal mob. The segment that addresses the Holocaust documents America’s indifference in dealing with Hitler’s “Final Solution.” Grubin notes how political activism has long been a part of Jewish-American life, and how Jews took an active role in the Civil Rights struggle. As the old saying goes, you don’t have to be Jewish to be compelled and profoundly moved by this ambitious documentary miniseries. But it couldn’t hurt. –Donald Liebenson

The Boy in the Striped Pajamas

The innocence of childhood savagely collides with the Holocaust in The Boy in the Striped Pajamas. Bruno (Asa Butterfield) knows that his father is a soldier and that they have to move to a new house in the country… a house near what he thinks is a farm. But his father isn’t just a soldier; he’s a high-ranking officer in Hitler’s elite SS troops who’s just been placed in command of Auschwitz. As Bruno explores the woods around the house, he discovers the concentration camp’s perimeter fence. On the other side sits a boy his own age, with whom Bruno strikes up a friendship–a friendship that will have tragic consequences. The Boy in the Striped Pajamas is most powerful in the details: The casual brutality of a Nazi lieutenant; the uncomfortable juxtaposition of the family’s domestic life with glimpses of the treatment of the imprisoned Jews; a ghastly propaganda film suggesting that life at Auschwitz was like a holiday. But more than anything else, Butterfield’s performance makes this film compelling. The young actor perfectly conveys Bruno’s limited perspective even as the film carefully unveils the larger, darker reality. The movie’s ending will undoubtedly spark arguments, but only because of the emotional complexity of what happens–The Boy in the Striped Pajamas is made with great skill and compassion. Also featuring David Thewlis (Naked) and Vera Farmiga (The Departed) as Bruno’s parents. –Bret Fetzer

THE SECRETS

The Secrets

Beautifully evocative, nominated for 8 Awards of the Israel Film Academy, The Secrets explores the passage into womanhood of the daughter of an orthodox rabbi finding herself at a crossroads of life. While studying at a women’s religious seminary in Safed, Naomi and her new friend explore the complexities of a religious lifestyle in a vibrant environment of youth, rebellion and desire as they befriend a beautiful, mysterious older woman.

 

Watch the Trailer Here!

One of the best Israeli films of recent years, the Secrets, is an emotionally overpowering drama that will move audiences wherever it plays. The film’s mix of sensuality and spirituality is arresting. Both of the young actresses are luminous (and) Ardant gives one of her strongest performances.” – The Hollywood Reporter

 

 

 

“One of the best foreign films I have seen in some time. …a true delight…a masterpiece of story-telling and one that everyone should see.”– VideoViews.org

 

 

 

“intriguing… passionate performances.” – The New York Times

 

“The Secrets handles itself with Grace and Charm” – The Village Voice